Welcome to Omnivore Recordings

About Omnivore Recordings

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Fifteen years since its inception, Omnivore Recordings remains a vital force of connectivity to the history of music—discovering, preserving, and releasing important, high-quality music with unwavering credibility and expertise. Omnivore pairs meticulous audio preservation with rich historical context, featuring thoughtfully written essays that illuminate the stories behind the music, the artists, and their eras. These releases are true discoveries—not rehashes or opportunistic cash-ins—and are often built around rare or previously unissued material.

Omnivore thrives in both the physical and digital realms, connecting with new generations of listeners who value the freedom of discovery over being told what or how to listen. For many, the physical format remains a gateway—an invitation to explore, connect, and engage more deeply with the music.

Encouraging meaningful exploration, the Grammy Award-winning company excels at producing meticulously crafted releases that restore the joy of collecting. These are records fans don’t just stream—they treasure, revisit, and proudly own.

From its beginning Omnivore’s mission has been to create a living cultural archive—one grounded in soul, scholarship, and historical significance—rather than simply exploiting recordings. The label’s specialty lies not only in unearthing hidden gems, but in elevating them through compelling storytelling. By treating archival projects as vital, enduring narratives rather than relics of the past, Omnivore has established a distinctive and respected place in today’s music landscape.

Omnivore Bios

Follow the links below for a little bit about each of us:

CHERYL PAWELSKI
Cheryl Pawelski

Winner of four Best Historical Album Grammys, Pawelski has eight nominations overall including the most recent Best Historical Album for 2026, You Can’t Hip A Square: The Doc Pomus Songwriting Demos. Before co-founding Omnivore Recordings, she held positions at EMI-Capitol Records, Concord Music Group and Rhino Entertainment. Across her career, Pawelski has worked with iconic legacy artists and estates like Hank Williams, Nina Simone, The Beach Boys, The Band, Miles Davis, Rod Stewart, John Coltrane, Willie Nelson, Aretha Franklin, the Stax Records catalog, and many more. She also serves as Wilco’s archivist. Pawelski is a sough-after producer and resource for artists, estates, media entities and other labels. She is also an active member of, and has served, or is serving on boards for The Recording Academy, The Blues Foundation, Women in Vinyl, Joe’s Song, The Recording Academy’s Producer’s & Engineer’s Wing, Farm Aid, and The Center for Recorded Music. For more information also visit: www.cherylpawelski.com

GREG ALLEN
Greg Allen

As a graphic designer and photographer, Omnivore co-founder Greg Allen has been active in the Los Angeles music scene for more than four decades. He has photographed artists such as XTC, Ray Charles, Ringo Starr, Social Distortion, Steve Earle, k.d. lang, Jellyfish, Richard Thompson, and Lucinda Williams, for clients including Nonesuch, Virgin, Epic, MCA, Warner Bros., I.R.S., and Rough Trade Records. He has also served as art director on numerous projects for Rhino Entertainment, Concord Music Group, Warner UK, and Vanguard, among others. He has designed box sets for Wilco, John Coltrane, Gram Parsons, Miles Davis, Ray Charles, and Alice Cooper, as well as coffee-table books (Creem: America’s Only Rock & Roll Magazine, The Stooges: The Authorized & Illustrated Story), soundtracks (CBGB, Sex And The City, Hairspray, and A Christmas Story), and catalog reissues and new albums for artists such as Elvis Costello, Fleetwood Mac, Yes, Dwight Yoakam, Peter Case, Lucinda Williams, George Benson, The Stooges and countless others. With an eye for detail and a vast knowledge of musical styles and eras, Allen has an eclectic design repertoire that encompasses classic album repackaging and new projects alike. Allen has served on the Board of Governors for the Los Angeles Chapter of The Recording Academy. For more information also visit: www.gapd.com

BRAD ROSENBERGER
Brad Rosenberger

Prior to co-founding Omnivore Recordings, Rosenberger served as Senior Vice President of Catalog Development & Marketing at Warner/Chappell Music. Over the course of more than 20 years with the award-winning publisher, he held several key leadership roles, including Senior Vice President and Head of Strategic Marketing/Catalog Development, as well as Senior Vice President of Film & Television.

In addition to his executive leadership, Rosenberger played a pivotal role in securing high-profile placements of Warner/Chappell copyrights in numerous acclaimed and commercially successful films, including Almost FamousMagnolia, and Good Will Hunting. In television, he notably paired songwriter Allee Willis with composer Michael Skloffto create the lyrics for the iconic theme song of the NBC hit series Friends.

Drawing on his extensive film and television experience, Rosenberger later produced and music supervised the biopic CBGB, which chronicled the life of legendary New York club owner Hilly Kristal. He has also served as music supervisor on the acclaimed music documentaries Big Star: Nothing Can Hurt Me and Lost Angel: The Genius Of Judee Sill, further demonstrating his expertise in music storytelling across film and television.

DUTCH CRAMBLITT
Dutch Cramblitt

Co-founder Cramblitt’s industry run in sales has seen him work with some of the most successful acts in the music business. Prior to Omnivore, he held various sales roles at WEA Distribution, Nettwerk, Rhino, Hollywood Records, EMI, SBK, and Capitol. His role at Omnivore has him seen negotiate distribution agreements with all three of the major distribution companies EMI/Universal, Sony/The Orchard, and twice with ADA/WMG. In addition, he made deals with Redeye and currently Hello Merch to service a growing and very successful D2C business.

GLENN SCHWARTZ
Glenn Schwartz

A music industry veteran who cut his teeth at Sony Music before heading up the Licensing departments at Zomba Recording Corporation and Warner Music Group’s Rhino Entertainment, Glenn Schwartz has licensed recordings for use in movies, television programs, commercials, compilation albums, jukeboxes, greeting cards, bowling alleys, toys, department stores, gyms, and as samples in hip hop records, among other things. He has also curated “best of” releases for Ms. Lauryn Hill, Gladys Knight And The Pips, Melba Moore, and then some. An award-winning stand-up comic and graduate of Improv Olympics, Glenn combines several of his passions while speaking to corporations about the value of diversity, using popular music to illustrate his points.

 

Associated Labels & Awards

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